York Art Gallery
The New York art scene is back in full swing after months on pause. But with restrictions still in place, galleries are welcoming visitors with a sense of caution.
For Kertess, money never ranked among her gallery’s top concerns. She figured: Put up good art and people will come.
York Art Gallery houses a varied collection of paintings and works on paper from the 14th century to contemporary art. The gallery also houses the most significant collection of studio ceramics in the UK.
One of the highlights is a relief sculpture by George Rickey, whose work reflects his interest in movement and its relation to imbalance and the equilibrating force of weight. Another is his 2015 series dd/mm/yyyy, which explores elements of communication, construction and measurement.
The collection at York Art Gallery has benefited from several important donations, bequests and purchases over the years including the John Burton bequest of Victorian paintings in 1882, and the gift of pioneering studio pottery from Eric Milner White. York Museums Trust has also built up its art collection through a range of significant granting programmes.
In the gallery you will find a range of sculptures that explore movement and balance. In particular, George Rickey’s bronze Four Squares in a Square illustrates the artist’s interest in mechanical systems and kinetic sculpture.
Jade Blood’s Rainbow Piece consists of arched tubular elements that are applied with colour. The work is sited within the Scott Library pool and reflects the idiom of the constructivist sculptural form.
The art collection of York University is rich pedagogical resource for students, faculty and scholars with nearly 1700 works by local, national, and international artists across painting, sculpture, prints, and photography. The Gallery is also home to The Pollinarium, a spatial laboratory with an ecological theme.
The York art gallery is located a stone’s throw away from Bootham Bar, the historic medieval gateway into the city walls. The Gallery houses an impressive collection of paintings, sculpture and ceramics from across the globe. The Gallery’s collection was largely founded through bequests and donations including the John Burton bequest of Victorian paintings and Eric Milner White’s gift of pioneer studio pottery.
In the Centre of Ceramic Art, which was constructed during the gallery’s PS8 million refurbishment led by architects Ushida Findlay and restoration specialists Simpson & Brown, visitors can see the world’s largest collection of British Studio Ceramics. The collection, largely formed through large gifts from significant private collectors, retains the unique personality, passions and obsessions of its creators and provides an insight into the socio-economic development of the ceramics movement.
Today, countless artists are shifting clay’s perception, ensuring that whether it takes the form of functional vessels or explosive sculptures, ceramics are given their due recognition. For example, New York-based ceramist Bari Ziperstein uses china paints to add color and fires her works up to five times, creating a spectrum of luminous hues and textures. She aims to create emotional weight in her work by developing physical tension, which she achieves through asymmetrical blobs and forms like giant knots or pretzel shapes. She’s been exhibited at venues including SculptureCenter in Long Island City and Galleria d’Arte Moderna e Contemporanea di Bergamo.
Since ancient times, people have used floral decorations—living or dried plant material arranged for adornment—to connect with nature and the sacred. This art form requires skill to create an eye-catching and harmonious composition or display.
Floral artists use color, form, and texture to communicate meaning and emotion in their work. They also master the craft of floral arrangement, which involves understanding proportion, creating contrast, and ensuring an overall sense of balance.
Artists are drawn to flowers and plants for their symbolic power and aesthetic beauty. York Art Gallery’s exhibition ‘Bloom’ showcases botanical artworks from the collection alongside key loans to explore how flowers and gardens can shape identity. From ethereal photography of vibrant flower medleys against cotton-like clouds and mirrored surfaces to Joseph Horner’s hypnotic arrangements immortalized in blocks of ice, the exhibition reveals how a diverse array of artistic practices engage with natural flora. A range of family friendly and adult-led activities will also be on offer throughout the duration of the exhibition.